PRESS
*PLEASE NOTE THIS LIST IS NON-EXHAUSTIVE*
(2025) Artnet: What Do Artists Really Want from Gallery Representation?
(2025) British Academy of Jewellery: Staff Spotlight: Rayvenn Shaleigha D’Clark
(2025) After5 in conversation with Rayvenn D'Clark: Digital Sculptor
(2025) Case Study - OR3D: Revolutionising Art with Haptic Technology and Freeform+
(2025) City Announces Finalist Artists in Sadie T.M. Alexander Statue Public Art Competition
(2025) [BLOG] inch by inch: our obsession with long locks and who it leaves behind
(2024) MSN News: Award for Black Renaissance by Rayvenn Shaleigha D’Clark
(2024) VoxelJet: Bronze-cast sculptures produced with 3D printing
(2024) Kent Online: Industry award for Black Renaissance by Rayvenn Shaleigha D’Clark
(2024) Rayvenn S D'Clark: A gallery visit to see the work of Arts SU Arts Programme alumni
(2024) Art Plugged: Rayvenn D’Clark At TM Lighting
(2024) Apollo Magazine: Talking heads – A conversation with Rayvenn S D’Clark
(2024) Black History Month 2024: Meet Rayvenn Shaleigha D’Clark
(2024) Marie Claire: The Power of Public Art to Change Narratives and Challenge Bias
(2024) Meet Rayvenn Shaleigha D’Clark: Bringing hidden figures into the public realm
(2024) Artemiza Foundation: Q&A with Rayvenn D’Clark
(2024) OQTON: Artworld’s rising star uses 3D technology to make detailed, lifelike human sculptures
(2024) millimetre: Rayvenn D’Clark - Black Renaissance
(2024) Maybrey Reliance (Blog) - Black Renaissance Sand Cast Sculptures
(2024) CBS: An Alabama sculpture park evokes the painful history of slavery
(2024) Harpers Bazaar: Tracing the Legacy of Slavery in America Through Sculpture
(2024) New Yorker - Letter from Montgomery: Bryan Stevenson Reclaims the Monument, in the Heart of the Deep South
(2024) The Independent: Sculpture Park aims to look honestly at slavery and honour those who endured it
(2024) Rolling Stone: Ghosts of Alabama - Amid Debates Over Black History, a Park Stands For Truth and Reconciliation
(2024) Bloomberg UK: Sculpture Park aims to look honestly at slavery, honouring those who endured it
(2024) Citizen Femme, From The Studio Of
(2023) BBC World News, Economic equalities in the Art Sector, Yalda Hakim and Marine Tanguy
(2023) In Collaboration with Marine Tanguy x Tiny Studios
(2022) The Guardian, Artists Flock to Brixton to Mark the 40th Anniversary of the Black Artists Movement
(2022) FITA Magazine Vol III, Interview
(2022) ARCCA: ‘On Friendship, Masks and Creativity’
(2022) Made In Bed: Artist Highlight #3: Rayvenn D’Clark
(2022) Black Arts Magazine: Issue One
(2022) The Guardian, The Colour of Climate Crisis
(2022) ‘Breaking Bias’: International Women’s Day
(2021) Creative Debuts: Ep. 7, Superstar Series
(2021) Artemizia Foundation, Cover Design
(2021) It’s Nice That: Racial Injustice & Climate Crisis
(2021) ARCCA: In Conversation With Rayvenn Shaleigha D’Clark
(2021) London Live: Next Big Thing: Winners Announced
(2021) Artefact 2021: Conversations In Craft
(2021) Royal Academy: Welcome to Uncanny Valley
(2021) Union Bancaire Privée (UPB) Impact, Cover Design
(2020) Grand Matter: An Image Problem - Meaningful Creativity
(2020) The Face: Scrap That, Let’s Begin Again
(2020) Elephant: How Will The Coronavirus Crisis Affect Emerging Artists & Galleries?
(2020): Begin Again: The Online Exhibition Challenging Austerity And Racial Oppression
(2020) Black British Art + Sculpture
(2020) A Few Black Sculptors Who Could’ve Made The Jen Reid Statue
(2020) Elephant Magazine: The Nostalgic Intrigue Of Rayvenn D’Clark’s Uncanny 3D-Printed Sculptures
(2019) MOONDOGS: The Heart of Art - Sculpting Black Bodies
(2019) Winkball: How Are You Babe
(2019) Remi T C Studio: #SKETCHBOOKTHOUGHTS 105
(2019) #StockXStreetStyle With Bre'Ann Whlgn, Part 2: London
(2019) Decorating Dissidence, Issue #1: Memes & Materiality
(2019) BBC: How Bald Black Women Overcome Sexual Harassment
(2019) YouTube: Rayvenn D’Clark at The Body + Soul Exhibition
(2019) Hyperallergic: Artists Recognize The Benefits Of A Parasite-Host Relationship
(2019) DAZED: Four Artists Unpacking Black Identity That You Should Know
(2019) Bald Black Girl(s) project: Reign
(2018) DAZED: Meet The Young British Artist Creating Hyper-Real Human Sculptures
(2018) DAZED: At Home With Rayvenn D’Clark
(2018) Saatch x The Auction Collective – ABSTRACT: REALITY
(2018) The Auction Collective: Talking Innovative Sculpture With Rayvenn D'Clark
(2018) Refinery 29: 5 Young Female Artists That Are Going To Be Big
(2018) Crafts Council: The Real & The Imaginary
(2017) It’s Nice That: Inside Curator Antonia Marsh's body-centric Group Show
(2025) After5 in conversation with Rayvenn D'Clark: Digital Sculptor
After5 is in conversation with Rayvenn Shaleigha D'Clark, (29) a London-based digital sculptor renowned for her internationally acclaimed work.
(2025) Revolutionising Art with Haptic Technology and Freeform+
Determined to overcome these creative barriers, Rayvenn took bold steps to enhance her creative process, invested in a Haptic Touch and Freeform+ software from OR3D to allow her to push the boundaries of her artistry.
(2024) How 3D printing is revolutionising art
For the Freedom Monument Sculpture Park, a memorial and public art park in the USA that deals with slavery and the civil rights struggle in the United States, the American artist Rayvenn Shaleigha D’Clark created three unique bronze sculptures with her work ‘Black Renaissance’, using 3D sand printing and other techniques.